Performers

Marc Heredia, Piano

Marc Heredia is one of the most distinguished Spanish pianists of his generation, acclaimed for his musical intelligence, expressive depth and remarkable versatility as both a soloist and chamber musician. Recognised by critics as one of the most exciting talents to emerge from Spain in recent years, Marc Heredia has built an international career that combines solo performances, chamber music collaborations and innovative artistic projects. His playing is admired for its refinement, technical brilliance and deep understanding of musical structure, qualities that have earned him invitations to perform throughout Europe in some of the continent’s most prestigious concert halls and festivals.

Sini Simonen

Sini Simonen is a Finnish violinist internationally recognised for her work as a soloist, chamber musician, orchestral leader and teacher. Acclaimed for her expressive artistry, intellectual curiosity and stylistic versatility, she has established herself as one of the leading Finnish violinists of her generation. Combining a distinguished international performing career with a deep commitment to education and artistic collaboration, Sini Simonen is equally at home on the concert platform, in the recording studio and in the teaching studio.

Sini Simonen and the Castalian String Quartet

For twelve years, Sini Simonen was the first violinist and artistic leader of the internationally acclaimed Castalian String Quartet, an ensemble celebrated for its imaginative programming, technical excellence and commitment to both established masterpieces and contemporary music. During her tenure, the quartet performed extensively throughout Europe, North America and Asia, appearing in many of the world’s most prestigious concert halls and chamber music series. The ensemble held a celebrated residency at Wigmore Hall in London as well as a long-term residency at the University of Oxford, where performance, research and education formed an integral part of its artistic mission.

The quartet became renowned for its fresh interpretations, intellectual depth and adventurous repertoire, earning critical acclaim from audiences and critics alike. Through hundreds of performances, recordings and educational projects, Sini Simonen helped establish the ensemble as one of the most respected chamber groups of its generation.

Sini Simonen as Chamber Musician and Festival Artist

As a chamber musician, Sini Simonen has appeared at many of the world’s foremost festivals, including Aldeburgh Festival, Edinburgh International Festival, Kuhmo Chamber Music Festival, Open Chamber Music at Prussia Cove and the Festival dei Due Mondi in Spoleto. Her collaborations have brought her together with some of the most distinguished artists of our time, including Stephen Hough, Sir András Schiff, Midori, Michael Collins, Alasdair Beatson, Anthony Marwood, Hélène Clément and many other leading instrumentalists and composers.

These artistic partnerships reflect Simonen’s belief in chamber music as one of the most profound forms of musical communication and creative exchange. Her performances are admired for their warmth, spontaneity and ability to bring audiences into the heart of the musical conversation.

Sini Simonen and Contemporary Music

Contemporary music occupies a central place in Sini Simonen’s artistic life. Throughout her career she has worked closely with major composers including Thomas Adès, Charlotte Bray, Bent Sørensen and Mark-Anthony Turnage. She has participated in workshops, premieres and recordings of new works and is widely respected for her ability to bring clarity, imagination and commitment to contemporary repertoire.

Her performances frequently place new music alongside classical and romantic masterpieces, reflecting her conviction that the concert experience should connect musical traditions across centuries. This dedication to living composers has made her a sought-after interpreter of contemporary music and an important advocate for new artistic voices.

Sini Simonen as Soloist and Orchestral Leader

Alongside her chamber music activities, Sini Simonen has enjoyed an extensive career as a soloist and orchestral leader. She has appeared as soloist with orchestras including the Finnish Radio Symphony Orchestra, Helsinki Philharmonic Orchestra, Stuttgart Chamber Orchestra, Cologne Chamber Orchestra, Göttingen Symphony Orchestra and Trondheim Symphony Orchestra, performing repertoire ranging from Bach and Mozart to twentieth-century and contemporary concertos.

Her playing is admired for its combination of technical brilliance, lyrical warmth and stylistic insight. In addition to her solo appearances, Simonen has held important positions within leading chamber orchestras and ensembles. She was a long-standing member of the Stuttgart Chamber Orchestra and has performed extensively with the renowned Esbjerg Ensemble, one of Europe’s leading chamber music ensembles.

Sini Simonen’s Recordings and Discography

Sini Simonen’s discography demonstrates the breadth of her artistic interests. Recordings include J.S. Bach’s Double Concerto with Helsinki Strings for Warner Classics and Bach’s Triple Concerto with the Stuttgart Chamber Orchestra for Tacet. She has also recorded extensively as a chamber musician, receiving widespread critical acclaim for her performances.

Particularly notable is an award-winning recording with the Castalian String Quartet featuring works by Beethoven, Thomas Adès and Simonen’s own arrangements of Renaissance music for Delphian Records. These recordings have been praised for their freshness of interpretation, stylistic imagination and exceptional ensemble playing.

Sini Simonen’s Education and Competition Success

Born in Finland, Sini Simonen began playing the violin at the age of four and quickly demonstrated exceptional musical promise. She received her early training in Finland before continuing her studies at the Sibelius Academy in Helsinki, one of Europe’s leading conservatoires. She subsequently studied at the Hanover University of Music, Drama and Media and the Music Academy Basel, working with distinguished teachers including Lara Lev, Rainer Schmidt and Krzysztof Węgrzyn.

During these formative years she also benefited from the guidance of influential musicians such as Ferenc Rados, Rita Wagner and Sir András Schiff, whose musical philosophies left a lasting impression on her artistic development.

A highly successful competitor from an early age, Simonen won top prizes at the Carl Flesch International Violin Competition, the Rodolfo Lipizer International Violin Competition and the Cremona International Violin Competition. In chamber music she also received awards at the International Johannes Brahms Competition, the Lyon International Chamber Music Competition, the ARD International Music Competition and the Banff International String Quartet Competition.

Sini Simonen at the Royal Academy of Music

Alongside her performing career, Sini Simonen is a passionate and dedicated teacher. She has taught and given masterclasses throughout Europe and is committed to nurturing the next generation of musicians. Her teaching combines a deep respect for musical tradition with an openness to individual artistic voices and creative exploration.

Today, Sini Simonen serves as Professor of Violin at the Royal Academy of Music in London, one of the world’s leading conservatoires. There she mentors young violinists from across the globe while maintaining an active international performing career. Through her work as performer, collaborator, educator and advocate for both established and contemporary repertoire, Sini Simonen continues to make a significant contribution to the international musical landscape, bringing insight, imagination and integrity to every aspect of her artistic life.

Anna Emmeluth, composer and singer

Anna Emmeluth

Anna Emmeluth is a composer, singer and musical storyteller whose work moves between Nordic jazz, improvisation and sound-based composition. With a highly personal artistic voice, she creates musical landscapes that invite listeners into a world of atmosphere, imagination and presence. Her music is characterised by a rich harmonic language, lyrical sensitivity and a deep connection to the natural world. At the centre of Anna Emmeluth’s artistry lies a fascination with sound itself. She approaches composition much like a painter approaches a canvas, shaping melodies, harmonies and textures as colours and brushstrokes. Sound becomes her material, allowing her to create vivid musical images that unfold organically and draw the listener into an immersive sonic environment.

Anna Emmeluth’s Musical Language

Anna Emmeluth’s music is rooted in the Nordic jazz tradition while remaining open to influences from folk music, contemporary composition and free improvisation. Her works often balance carefully crafted melodic material with moments of spontaneity and exploration, creating performances that feel both intimate and alive. Her harmonic language is notable for its warmth, subtlety and sense of colour. Rather than focusing on virtuosity alone, her compositions seek to create emotional spaces in which sound, silence and atmosphere become equally important elements of the musical narrative. The result is music that feels deeply personal while remaining accessible and inviting, allowing audiences to engage with it on both an emotional and imaginative level.

Anna Emmeluth as Singer and Improviser

As a vocalist, Anna Emmeluth possesses a voice that is soft, clear and playful. Her singing combines delicacy with expressive freedom, allowing her to move naturally between composed melodies and improvisational passages. She uses the voice not only as a vehicle for text and melody but also as a source of colour, texture and atmosphere. A sense of curiosity and spontaneity runs through her performances. Improvisation plays an important role in her musical world, creating space for interaction, surprise and genuine artistic dialogue. These moments of freedom bring freshness and vitality to her concerts while reinforcing the close connection between performer, music and audience. Her ability to communicate intimacy and emotional nuance gives her performances a distinctive character that resonates strongly with listeners.

Anna Emmeluth and Nature

Nature is a profound source of inspiration in Anna Emmeluth’s work. The landscapes of the Nordic world – forests, lakes, coastlines, changing seasons and shifting light – are reflected throughout her music. Her compositions often evoke vivid natural imagery. Listeners are transported deep into forests, alongside babbling streams flowing between moss-covered stones, into the stillness of winter landscapes and across shimmering lakes illuminated by changing light. These sound worlds are not literal descriptions but emotional and sensory reflections of the natural environment. The relationship between humanity and nature forms an underlying thread throughout her artistic expression, inviting listeners to slow down, reflect and reconnect with the world around them.

Anna Emmeluth in Performance

Anna Emmeluth’s concerts are characterised by presence, warmth and openness. Whether performing her own compositions or engaging in collaborative improvisation, she creates an atmosphere in which audiences become part of a shared musical experience. Her performances balance lyricism and playfulness, seriousness and humour. Moments of delicate beauty can suddenly give way to unexpected improvisations, always guided by a strong sense of musical storytelling and communication. This combination of compositional imagination, vocal sensitivity and improvisational freedom makes Anna Emmeluth a distinctive voice within contemporary Nordic music.

Anna Emmeluth Today

Today, Anna Emmeluth continues to develop a musical universe where jazz, composition, improvisation and nature-inspired imagery merge into a unique artistic expression. Through her work as a composer and singer she invites audiences into soundscapes filled with colour, atmosphere and discovery. Her music offers space for reflection, wonder and connection, creating experiences that linger long after the final notes have faded. With her imaginative approach to sound and her ability to transform musical ideas into vivid emotional landscapes, Anna Emmeluth represents a distinctive and compelling voice in contemporary Nordic music.

Aros Guitar Duo

AROS Guitar Duo

AROS Guitar Duo, formed by Danish guitarists Mikkel Egelund Nielsen and Simon Wildau, has established itself as one of Scandinavia’s leading classical guitar ensembles. Since its formation in 2009, the duo has earned international recognition for its technical excellence, musical sophistication and innovative approach to the guitar duo repertoire. Combining virtuosic precision with a deep commitment to musical communication, AROS Guitar Duo has captivated audiences throughout Europe and built a reputation as one of the most exciting chamber ensembles in the classical guitar world.

AROS Guitar Duo’s Origins

The story of AROS Guitar Duo began at the Royal Academy of Music in Aarhus, Denmark, where Mikkel Egelund Nielsen and Simon Wildau first met as students. Sharing a passion for classical guitar, chamber music and artistic exploration, they quickly discovered a natural musical affinity. In 2009 they formed the AROS Guitar Duo initially to perform a series of concerts in Bergen, Norway.

What began as a short-term collaboration soon developed into a long-lasting artistic partnership. Over the years, their shared musical vision and exceptional ensemble chemistry have become defining characteristics of the duo’s identity. Their performances are distinguished by remarkable precision, expressive depth and a seamless musical dialogue that reflects years of collaboration and mutual understanding.

Mikkel Egelund Nielsen and Simon Wildau’s Education

Both musicians have pursued advanced studies at some of Europe’s most respected musical institutions. Mikkel Egelund Nielsen earned a Master’s Degree in Music from the Hochschule für Musik und Tanz Köln in Germany, where he further developed his artistry and technical mastery.

Simon Wildau completed his Master’s Degree at the Escola Superior de Música de Catalunya in Barcelona, one of Spain’s leading conservatoires. Their international studies exposed them to diverse musical traditions and broadened their artistic perspectives.

Following their master’s studies, both musicians completed the prestigious postgraduate soloist programme at the Royal Academy of Music in Aarhus. In 2018 they made their official debut as a duo from the soloist class of the Royal Danish Academy of Music, marking an important milestone in their professional careers.

Throughout their development they benefited from the guidance of distinguished teachers including Associate Professor Jesper Sivebæk and Professor Tim Frederiksen. Between 2010 and 2011 they also undertook studies in Barcelona with the celebrated Spanish guitarist Àlex Garrobé, further enriching their artistic outlook.

AROS Guitar Duo and International Competitions

A major factor in the duo’s growing international reputation has been their extraordinary success in international competitions. Over the years, AROS Guitar Duo has received top prizes at several prestigious events across Europe.

Their achievements include First Prize at the Omiš Guitar Festival in Croatia, First Prize at the Fiuggi International Guitar Festival in Italy, Second Prize at the Acerra International Guitar Competition in Italy and First Prize at the Liechtensteiner Gitarrentage in 2018.

These awards have confirmed the duo’s standing among the most accomplished guitar ensembles of their generation and have helped establish their international profile.

Particularly significant was their success at the Danish P2 Chamber Music Competition in 2017, where they received a special prize for the best performance of a new Danish work. Their acclaimed interpretation of John Frandsen’s guitar duo Twilight demonstrated both their technical command and their commitment to contemporary music.

AROS Guitar Duo in Concert

Since its formation, AROS Guitar Duo has appeared at numerous festivals, concert series and cultural institutions throughout Denmark and Europe. Their performances have attracted attention for their remarkable artistic cohesion and ability to present the guitar duo repertoire with freshness and imagination.

The ensemble’s programmes encompass a broad range of repertoire, from the great works of the classical tradition to contemporary compositions and newly commissioned works. Their concerts often highlight the extraordinary versatility of the guitar, revealing a surprising range of colours, textures and expressive possibilities.

Audiences and critics alike have praised the duo’s ability to combine technical brilliance with emotional depth, creating performances that are both intellectually engaging and deeply communicative.

AROS Guitar Duo and Contemporary Music

Alongside their commitment to the established repertoire, AROS Guitar Duo has shown a strong dedication to contemporary music. The duo regularly collaborates with composers and actively seeks to expand the repertoire available to guitar ensembles.

Their performances of contemporary works demonstrate the same attention to detail and artistic integrity that characterise their interpretations of traditional repertoire. Through commissions, premieres and collaborations with living composers, they continue to contribute to the development of the guitar duo literature.

This commitment to new music reflects their belief that the classical guitar should remain a vibrant and evolving instrument capable of engaging modern audiences and artistic ideas.

AROS Guitar Duo Today

Today, AROS Guitar Duo is recognised as one of Denmark’s foremost chamber music ensembles and one of the leading guitar duos in Northern Europe. Their artistic partnership is founded on a rare combination of technical excellence, musical curiosity and genuine collaborative spirit.

Whether performing at major festivals, presenting innovative programmes or championing new repertoire, Mikkel Egelund Nielsen and Simon Wildau continue to push the boundaries of what is possible for two guitars. Their performances combine virtuosity, elegance and expressive power, bringing new life to both established masterpieces and contemporary works.

Through their dedication, artistry and unwavering commitment to excellence, AROS Guitar Duo continues to inspire audiences and contribute significantly to the international classical guitar community.

Christian Martinez

Christian Martinez, percussion

Christian Martínez

Christian Martínez is a Colombian-Danish percussionist, chamber musician and soloist whose career has been defined by artistic versatility, technical excellence and a passionate commitment to contemporary music. As a long-standing member of the internationally acclaimed Esbjerg Ensemble, he has established himself as one of Scandinavia’s leading percussionists, performing an exceptionally broad repertoire that ranges from classical chamber music to cutting-edge contemporary works. Renowned for his rhythmic precision, expressive imagination and remarkable command of a vast array of percussion instruments, Christian Martínez has appeared as a soloist and chamber musician throughout Europe, North America, Latin America and Asia. His work has inspired composers, enriched contemporary percussion repertoire and contributed significantly to the international profile of Danish contemporary music.

Christian Martínez’s Early Musical Life and Education

Born in Cali, Colombia, Christian Martínez began his musical studies in his hometown, where he first discovered the rich world of percussion. His early fascination with rhythm, sound and musical expression led him to pursue professional studies abroad, embarking on an international educational journey that would shape his artistic identity. He continued his studies at the prestigious Manhattan School of Music in New York, where he was exposed to a diverse musical environment and some of the world’s leading performers and educators. He later studied at the Rogaland Music Conservatory in Stavanger, Norway, further expanding his musical horizons and deepening his understanding of both classical and contemporary repertoire. In 1996, Martínez graduated from the Royal Danish Academy of Music in Copenhagen. The same year, he joined the Esbjerg Ensemble, beginning what would become a distinguished and influential career within one of Scandinavia’s most respected chamber music ensembles.

Christian Martínez and the Esbjerg Ensemble

Since becoming a member of the Esbjerg Ensemble in 1996, Christian Martínez has played a central role in the ensemble’s artistic development. The Esbjerg Ensemble is internationally recognised for its innovative programming, commitment to contemporary music and collaborations with leading composers from around the world. Through hundreds of performances, recordings and premieres, Martínez has helped expand the role of percussion within chamber music. His versatility enables him to move seamlessly between traditional percussion instruments, keyboard percussion, extended techniques and experimental sound worlds. His work with the ensemble has brought him to major festivals, concert halls and educational projects throughout Europe and beyond, contributing to the ensemble’s reputation as one of the most adventurous chamber music groups in the Nordic region.

Christian Martínez as Soloist and Chamber Musician

Alongside his work with the Esbjerg Ensemble, Christian Martínez has developed a distinguished career as a soloist and chamber musician. His performances have taken him to festivals and concert series throughout Scandinavia, Europe, the United States, Latin America and Taiwan. He has appeared at internationally recognised events including Nordic Music Days, the Athelas New Music Festival, Percussion Plus Festival in Aarhus and Finland, and the Kalliokuninkala Festival. These appearances have highlighted his ability to combine technical mastery with a deep understanding of contemporary musical language. His performances are admired for their energy, precision and expressive range, qualities that allow him to communicate equally effectively in both intimate chamber music settings and large-scale contemporary works.

Christian Martínez and Contemporary Music

Contemporary music occupies a central place in Christian Martínez’s artistic life. Throughout his career he has worked closely with composers, contributing to the creation, development and performance of new works for percussion. His commitment to expanding percussion repertoire has led to numerous collaborations with leading Scandinavian composers. Through these partnerships, he has become an important advocate for contemporary music and a trusted interpreter of complex and innovative scores. Among his most significant collaborations has been his work with the internationally celebrated Danish composer Per Nørgård. This artistic partnership resulted in several important additions to the percussion repertoire and further strengthened Martínez’s reputation as a leading interpreter of contemporary music.

Christian Martínez and Per Nørgård

In 2010, Christian Martínez released his first solo recording, Rhythmical Séance, featuring Per Nørgård’s I Ching alongside works by Ivar Frounberg and Ejnar Kanding. The recording was widely praised for its musical depth and technical sophistication and showcased the extraordinary expressive possibilities of contemporary percussion. His collaboration with Per Nørgård led directly to the creation of two significant new works. Nørgård composed the percussion concerto Three Scenes for percussion and ensemble, as well as Arabesques I, II and III for solo percussion. Both works were dedicated to Christian Martínez and the Esbjerg Ensemble, reflecting the close artistic relationship between composer and performer. These pieces have become important contributions to contemporary percussion literature and demonstrate Martínez’s role in inspiring and shaping new repertoire.

Christian Martínez and International Collaborations

Throughout his career, Christian Martínez has participated in numerous international artistic collaborations. Among the most notable was the Esbjerg Ensemble’s Scandinavian premiere of György Kurtág’s Pas à pas, nulle part for baritone, string trio and percussion, performed in collaboration with the celebrated baritone Omar Ebrahim. Projects such as these demonstrate Martínez’s ability to engage with some of the most demanding and sophisticated repertoire of our time while contributing to performances of exceptional artistic quality. His international outlook and collaborative spirit continue to make him a sought-after performer and creative partner for composers, ensembles and festivals.

Christian Martínez Today

Today, Christian Martínez remains one of the most respected percussionists in Scandinavian musical life. Through his work as a performer, soloist, chamber musician and advocate for contemporary music, he continues to expand the artistic possibilities of percussion while inspiring audiences and fellow musicians alike. His career reflects a lifelong dedication to musical exploration, artistic excellence and creative collaboration. Whether performing a major contemporary concerto, premiering a new work or participating in chamber music projects with the Esbjerg Ensemble, Christian Martínez brings extraordinary energy, imagination and musicianship to every performance. Through his contributions to performance, recording and the creation of new repertoire, Christian Martínez has secured a distinguished place in the international percussion community and continues to shape the future of contemporary music.

Valdemar Wenzel Most, piano

Valdemar Wenzel Most – Rising Danish Piano Star

At just 19 years old, Valdemar Wenzel Most is rapidly ascending towards the stars of the international piano scene. With an impressive list of awards and accolades to his name, he was named P2 Talent of the Year 2025 on 6 April.

In September 2025, Valdemar will appear as soloist with Danmarks Underholdningsorkester as part of their prestigious Haydn Festival. On this occasion, he will also give the world premiere of a brand-new piece, composed especially for the recipient of the P2 Talent Award.

Born into a musical family, Valdemar began his journey with both piano and cello, and also sang as a boy soprano in the Copenhagen Royal Chapel Choir. He performed as one of the three boys in Mozart’s The Magic Flute at the Royal Danish Opera, and studied piano with Bella Zapolski before continuing his training with Kirill Gerstein at the Hochschule für Musik Hanns Eisler Berlin, where he is currently part of Gerstein’s class.

In March 2024, Valdemar performed Mozart’s Piano Concerto No. 21 with the Odense Symphony Orchestra conducted by Simon Gaudenz. At the Aarhus International Piano Competition 2023, he was awarded 2nd Prize and the Carl Nielsen Prize, performing the first movement of Rachmaninov’s Third Piano Concerto with the Aarhus Symphony Orchestra and conductor Pierre Bleuse.

He has also performed Rachmaninov’s Second Piano Concerto (first movement) with the Gothenburg Symphony Orchestra (conductor Delyana Lazarova), the South Denmark Philharmonic (Alessandro Bonato), and Copenhagen Phil (Christian Øland).

Valdemar received the Talent Prize at the Copenhagen Summer Festival, where he gave a live televised recital on Danish Broadcasting Corporation (DR). The programme included solo works and Mendelssohn’s Piano Trio in D minor, performed with Jonathan Swensen and Selma Teilmann.

He received the Great Grant from the Jacob Gade Foundation in 2023 and was a participant at IMS Prussia Cove, where he had the opportunity to work with Kirill Gerstein—an experience that strongly influenced his artistic path.

Valdemar won 1st Prize at the Steinway Festival 2022 and was selected as Denmark’s representative at the International Steinway Festival in Hamburg, performing at the Laeiszhalle in September 2023.

At the Nordic Piano Competition 2022, he received 2nd Prize and special awards for Best Nordic Pianist, Best Romantic Interpretation, and Best Classical Interpretation. He also received the Talent Prize and Gold Medal at the Berlingske Classical Music Competition 2019, 2nd Prize at the Nordic Junior Piano Competition, and the Grand Prix at the Concertino Malmö International Music Festival.

A recipient of a three-year Talent Grant from the Jacob Gade Foundation in 2018, Valdemar is now an active member of the Jacob Gade Talent Programme, where he regularly performs recitals and chamber music alongside both young musicians and seasoned professionals.

Valdemar won Gold Medal at The Young Chamber Music Competition in Denmark 2022 with the Zapolski Piano Quintet, which also performed at the Royal Danish Theatre to celebrate the ballet school’s 250th anniversary.

As a chamber musician, he has collaborated with renowned artists including Torleif Thedéen, Andreas Brantelid, Ludvig Gudim, Jonathan Swensen, and Hrachya Avanesyan.

Jonas Egholm, guitar

Jonas Egholm (b. 1998) is one of Denmark’s most remarkable young classical guitarists. Growing up in Børkop near Vejle, he has quickly established himself on the international stage, winning multiple prizes, including the 1st Prize at the prestigious International Guitar Festival José Tomás Villa de Petrer in Spain.

In 2023, Jonas was named P2 Talent of the Year by the Danish Broadcasting Corporation (DR P2), a distinction that recognizes not only his exceptional technical mastery and musicality but also his passion for new music and artistic innovation. Throughout 2023, he has performed widely, with several of his concerts broadcast live on DR P2. He is also scheduled to premiere a new work composed for him by Sandra Boss, developed in collaboration with the Danish Composers’ Society and the Esbjerg Ensemble.

Jonas is currently completing his studies in the Soloist Class at The Royal Danish Academy of Music in Copenhagen under Jesper Sivebæk and will make his official debut in September 2023. His first solo album, featuring music by Sergio Assad, Joaquín Rodrigo, and others, was released in 2022 and selected as Album of the Week by DR P2.

Known for his artistic curiosity, discipline, and commitment to both traditional and contemporary repertoire, Jonas is actively involved in projects that bring newly composed music to younger audiences, including his recordings for Educate·S, a Danish initiative promoting contemporary music for children and youth.

With his dynamic presence and deep musical insight, Jonas Egholm is poised to become a leading figure in the international guitar scene.

Antti Salovaara, bassoon

Antti Salovaara

Antti Salovaara is a Finnish bassoonist, chamber musician, cultural leader and advocate for contemporary music. Combining a deep respect for the classical tradition with a passion for innovation and experimentation, he has established himself as one of the most distinctive bassoonists of his generation. Through his performances, collaborations with composers and involvement in pioneering musical projects, Antti Salovaara continues to expand the artistic possibilities of the bassoon while engaging audiences across Europe and beyond. In addition to his performing career, he serves as Chairman of Fanø Festival, helping to guide one of Denmark’s most distinctive chamber music festivals.

Antti Salovaara’s Early Musical Life and Education

Born in Finland, Antti Salovaara developed an early fascination with music and discovered the bassoon while still young. His talent and dedication soon led him to the prestigious Sibelius Academy in Helsinki, one of Europe’s leading conservatoires. There he studied with Jaakko Luoma, one of Finland’s most respected bassoon pedagogues, gaining a strong technical and musical foundation. Seeking broader artistic perspectives, Salovaara continued his studies internationally. He attended the Conservatoire de Paris, where he studied with Laurent Lefèvre, and later pursued advanced studies at the Hochschule für Musik, Theater und Medien Hannover under the guidance of the internationally acclaimed bassoonist Bence Bogányi. He graduated from Hannover in 2018, completing an education that combined the finest traditions of Finnish, French and German bassoon playing. These diverse educational experiences helped shape Salovaara’s distinctive musical voice, characterised by technical refinement, expressive freedom and a willingness to explore new artistic directions.

Antti Salovaara and the Esbjerg Ensemble

Since 2017, Antti Salovaara has been a member of the internationally renowned Esbjerg Ensemble, Denmark’s oldest professional international chamber music ensemble. The ensemble is celebrated for its innovative programming, commitment to contemporary music and collaborations with leading composers and performers from around the world. As a member of the Esbjerg Ensemble, Salovaara performs a remarkably diverse repertoire spanning more than three centuries of music. His work with the ensemble includes both traditional chamber music masterpieces and newly commissioned works, allowing him to explore the full expressive potential of the bassoon. The ensemble’s artistic activities have brought him to concert halls, festivals and educational projects throughout Scandinavia and Europe, further establishing his reputation as a leading chamber musician.

Antti Salovaara as Chamber Musician

Chamber music occupies a central place in Antti Salovaara’s artistic life. He is particularly valued for his collaborative spirit, refined musicianship and ability to bring warmth and character to ensemble performances. His chamber music work encompasses a wide range of styles, from classical repertoire to contemporary works and experimental projects. A passionate advocate for the bassoon as a chamber music instrument, Salovaara regularly works with composers to expand the instrument’s solo and chamber repertoire. Through these collaborations he has helped bring new works to life and contributed to the continuing evolution of bassoon literature. His performances are admired for their sensitivity, flexibility and communicative power, qualities that make him a sought-after collaborator among fellow musicians and composers alike.

Antti Salovaara and Contemporary Music

Contemporary music forms an essential part of Antti Salovaara’s artistic identity. Throughout his career he has demonstrated a strong commitment to performing new music and exploring unconventional approaches to sound and performance. His interest in improvisation, experimentation and interdisciplinary collaboration has led him to participate in numerous innovative projects. These activities reflect his belief that classical musicians should remain open to new artistic possibilities while maintaining the highest standards of performance. By working closely with living composers, Salovaara continues to help shape the future of bassoon repertoire and broaden audiences’ understanding of the instrument’s expressive capabilities.

Antti Salovaara and Tölöläb

Alongside his work in traditional chamber music settings, Antti Salovaara is a member of Tölöläb, an electroacoustic experimental woodwind collective based in Helsinki. The ensemble is known for its innovative performances that combine acoustic instruments with electronic soundscapes, improvisation and contemporary artistic practices. Through Tölöläb, Salovaara explores new sonic territories and challenges conventional ideas about classical performance. The group’s projects demonstrate his willingness to engage with cutting-edge artistic developments while remaining firmly rooted in his classical training. This work has enabled him to reach new audiences and participate in artistic collaborations that extend beyond the traditional concert hall environment.

Antti Salovaara as Soloist

As a soloist, Antti Salovaara has appeared with orchestras and ensembles in performances that highlight both the lyrical beauty and virtuosic possibilities of the bassoon. His solo playing is characterised by a warm, expressive tone, technical precision and a natural ability to communicate with audiences. Whether performing classical concertos, contemporary works or newly commissioned pieces, Salovaara brings a distinctive artistic personality to the stage. His interpretations are noted for their depth, clarity and emotional honesty, earning appreciation from audiences and fellow musicians alike.

Antti Salovaara and Fanø Festival

Alongside his performing activities, Antti Salovaara is actively involved in cultural leadership and festival development. He serves as Chairman of Fanø Festival, an international chamber music festival held on the historic Danish island of Fanø. The festival brings together leading musicians from across Europe for performances in the island’s churches and cultural venues, combining artistic excellence with a strong sense of community and accessibility. As Chairman, Salovaara contributes to the strategic development of the festival and supports its mission of bringing world-class chamber music to audiences in South-West Jutland. His involvement reflects a broader commitment to strengthening cultural life, fostering artistic collaboration and creating opportunities for musicians and audiences to engage with chamber music in unique and inspiring settings.

Antti Salovaara as Musician and Individual

Beyond his professional activities, Antti Salovaara is known for his enthusiasm, curiosity and broad range of interests. An avid runner and sports enthusiast, he values the balance between physical activity and artistic life. His interest in endurance sports reflects the same discipline, determination and commitment that characterise his musical career. These qualities contribute to his energetic and open-minded approach to music-making, helping him maintain a fresh perspective on both performance and artistic collaboration.

Antti Salovaara Today

Today, Antti Salovaara enjoys a multifaceted career as a chamber musician, soloist, contemporary music specialist, cultural leader and artistic collaborator. Through his work with the Esbjerg Ensemble, Tölöläb, Fanø Festival and numerous composers and performers, he continues to expand the artistic horizons of the bassoon while engaging audiences with performances of exceptional quality and imagination. His commitment to innovation, collaboration and artistic excellence has established him as one of the most compelling Finnish bassoonists of his generation. As he continues to perform, commission new works and explore new musical possibilities, Antti Salovaara remains an important voice in contemporary classical music and a passionate advocate for the future of his instrument.

Michel Camille, viola

Michel Camille

Michel Camille is a British-Finnish violist, chamber musician, artistic director and cultural entrepreneur whose career has combined international performance, artistic leadership and festival development for more than three decades. Widely respected for his versatility, vision and commitment to chamber music, Michel Camille has performed throughout Europe and beyond while playing a central role in shaping musical life in South-West Jutland through his work with the Esbjerg Ensemble and the Esbjerg International Chamber Music Festival.

Equally at home as a performer, curator and organiser, Michel Camille is recognised for bringing together outstanding musicians from across the world in projects that combine artistic excellence with a strong sense of collaboration and community engagement. His work has consistently sought to create meaningful connections between artists, audiences, young musicians and cultural institutions, both locally and internationally.

Michel Camille’s Early Musical Life and Education

Born in London to British and Finnish parents, Michel Camille began his musical education at an early age. At eleven he won a full scholarship to the prestigious Wells Cathedral School, one of the United Kingdom’s leading specialist music schools. There he received a comprehensive musical education and developed a deep passion for chamber music and orchestral performance.

He later continued his studies at the Guildhall School of Music and Drama in London, graduating with distinction. During his formative years he worked with influential musicians and teachers including Yehudi Menuhin, Ifrah Neaman, Igor Ozim and Norman Del Mar. These encounters helped shape his artistic outlook and fostered a lifelong commitment to musical excellence and collaboration.

Further studies and professional development included work at the Banff Centre in Canada, where he was awarded the Concerto Prize, further establishing his reputation as an outstanding young violist.

Michel Camille and the Esbjerg Ensemble

Since joining the Esbjerg Ensemble in 1995, Michel Camille has become one of the ensemble’s longest-serving members and a central figure in its artistic development. Founded in 1967, the Esbjerg Ensemble is Denmark’s oldest professional international chamber music ensemble and is internationally recognised for its innovative programming, commitment to contemporary music and collaborations with leading composers and performers.

Through hundreds of concerts, recordings, educational projects and international tours, Michel Camille has contributed significantly to the ensemble’s reputation as one of Scandinavia’s leading chamber music groups. His repertoire spans more than four centuries of music, ranging from Mozart, Beethoven, Schubert and Brahms to major contemporary composers from Denmark and around the world.

Michel Camille as Chamber Musician

Throughout his career, Michel Camille has collaborated with many distinguished musicians from Europe, North America and Asia. His chamber music partnerships have taken him to major festivals and concert venues, where he has performed repertoire ranging from intimate duo sonatas to large-scale chamber masterpieces.

Known for his expressive playing, refined ensemble skills and deep understanding of chamber music, he is particularly admired for his ability to bring together musicians from different artistic traditions. His performances are characterised by warmth, clarity and a strong sense of musical dialogue.

Michel Camille and the Esbjerg International Chamber Music Festival

One of Michel Camille’s most significant achievements has been the founding of the Esbjerg International Chamber Music Festival in 1999. Established with the vision of bringing world-class chamber music and international artistic collaboration to South-West Jutland, the festival has developed into one of Denmark’s most respected chamber music events.

Under his artistic leadership, the festival has welcomed hundreds of musicians from around the world and presented performances featuring internationally acclaimed artists alongside emerging young talent. The festival is distinguished by its emphasis on artistic exchange, adventurous programming and close collaboration between visiting musicians and local performers.

The festival’s activities have attracted international attention through broadcasts, recordings and digital media, helping to strengthen the cultural profile of Esbjerg and the wider region. In 2025, Michel Camille was invited by the Daejeon Philharmonic Orchestra in South Korea to curate, lead and perform in a chamber music project at the Daejeon Arts Center, reflecting the international recognition of his work as both a performer and artistic director.

Michel Camille and Fanø Festival

Michel Camille is also the founder and artistic director of Fanø Festival and has played a leading role in the development of Klassisk Sommer Festival, a collaboration that brings chamber music to historic churches, museums and cultural venues across Fanø, Ribe and Esbjerg.

The festivals combine internationally recognised artists with a strong commitment to local audiences, families, children and young musicians. Through imaginative programming and extensive community engagement, these initiatives have contributed significantly to the cultural life and international visibility of South-West Jutland.

Beyond the concert hall, Camille shares his musical projects and performances through his growing YouTube presence, connecting with a wider audience and offering insights into his artistic journey. His YouTube channel, Michel Camille – YouTube, has garnered over 10,000 subscribers and features a diverse collection of chamber music performances. Notably, his collaboration on Schubert’s “Trout Quintet” has attracted significant attention, reflecting his ability to engage audiences through digital platforms.

He is also dedicated to mentoring young musicians through masterclasses and educational outreach, inspiring the next generation of chamber artists.

Joel Bardolet, violin

Joel Bardolet, is one of Spain’s most distinctive violinists, acclaimed for his imaginative programming, expressive artistry and commitment to chamber music. As a soloist, chamber musician and artistic collaborator, he has built an international reputation for performances that combine intellectual curiosity with emotional depth. His work spans the great classical repertoire, contemporary music and innovative interdisciplinary projects, establishing him as one of the most versatile musicians of his generation.

Joel Bardolet’s Early Musical Life and Education

Born in Vigo, Spain, Joel Bardolet developed a passion for music from an early age and quickly distinguished himself through his exceptional talent and musical sensitivity. He pursued advanced studies in Catalonia, Germany and Switzerland, where he worked with leading violin pedagogues and absorbed a wide range of musical influences. This international education provided him with a broad artistic perspective and a deep understanding of diverse musical traditions. Throughout his studies, Bardolet cultivated an approach to music-making that emphasises communication, exploration and artistic integrity. These values continue to shape his work today, both as a performer and collaborator.

Joel Bardolet as Soloist

Joel Bardolet has appeared as soloist with numerous distinguished orchestras across Europe. His concerto appearances include collaborations with the Vienna Chamber Orchestra, Orchestre de Chambre de Lausanne, Scottish Chamber Orchestra and Basel Chamber Orchestra, among others. His interpretations of repertoire ranging from Bach and Mozart to Beethoven and contemporary composers have been praised for their clarity, elegance and expressive power. As a soloist, Bardolet is known for his ability to reveal the architectural structure of a work while maintaining a strong sense of spontaneity and emotional immediacy. His performances combine technical mastery with a deep commitment to storytelling through music.

Joel Bardolet and Chamber Music

Chamber music lies at the heart of Joel Bardolet’s artistic identity. He is highly sought after as a chamber musician and has collaborated with leading performers throughout Europe. His performances are distinguished by exceptional listening skills, refined ensemble playing and a deep understanding of musical dialogue. A hallmark of his artistry is his ability to create thoughtful and engaging programmes that connect different musical traditions and periods. His collaborations frequently explore the relationships between rhythm, phrasing and colour, resulting in performances that are both intellectually stimulating and emotionally compelling.

Joel Bardolet and Trio Fortuny

An important part of Joel Bardolet’s career is his work as a founding member of Trio Fortuny, alongside cellist Pau Codina and pianist Marc Heredia. Formed through a shared artistic vision and long-standing friendship, the ensemble has become one of Spain’s leading chamber groups. Trio Fortuny has performed extensively throughout Europe, appearing at major festivals and venues including the Palau de la Música Catalana, L’Auditori Barcelona, Centro Nacional de Difusión Musical, Temporada Ibercamera Girona, Portaferrada Festival and the Wissembourg International Music Festival. The trio is recognised for its imaginative programming and performances that combine technical excellence with profound musical insight. The ensemble’s artistic development has been shaped by distinguished mentors including Ferenc Rados, Rainer Schmidt, Claudio Martínez Mehner, Gary Hoffman, Anton Kernjak and Jonathan Brown. Their recordings and concert projects have featured works by Schubert, Brahms, Beethoven, Mendelssohn and Shostakovich, while also championing contemporary music and new commissions. A significant milestone in the trio’s career came with the award of an artistic residency at the Palau de la Música Catalana beginning in the 2023–2024 season, confirming its position among Europe’s leading chamber music ensembles.

Joel Bardolet and Contemporary Music

Alongside his work with the classical repertoire, Joel Bardolet is a passionate advocate for contemporary music. He regularly collaborates with living composers and has premiered numerous new works. His performances of contemporary repertoire demonstrate the same commitment, precision and expressive intensity that characterise his interpretations of the great classics. Through these projects he continues to contribute to the ongoing development of the violin repertoire while encouraging audiences to engage with new musical voices.

Joel Bardolet as Teacher and Mentor

Education forms an important part of Joel Bardolet’s artistic life. He regularly gives masterclasses and workshops throughout Europe, sharing his experience with younger generations of musicians. His teaching encourages students to combine technical discipline with creativity, curiosity and personal expression. Bardolet believes that music education should nurture individuality while fostering a deeper understanding of the artistic and cultural contexts that shape musical performance.

Joel Bardolet Today

Today, Joel Bardolet enjoys a varied international career as a soloist, chamber musician, educator and artistic innovator. Whether performing concertos, exploring chamber music masterpieces or collaborating on contemporary projects, he brings a distinctive voice and artistic vision to every performance. His commitment to musical exploration, collaboration and communication continues to inspire audiences and fellow musicians alike. Through his work as a performer, teacher and advocate for chamber music, Joel Bardolet has established himself as one of the most compelling violinists of his generation.

Pau Codina, cello

Pau Codina

Pau Codina, is one of the leading Spanish cellists of his generation, internationally recognised for his work as a soloist, chamber musician and ensemble performer. Praised for the depth of his musical expression, refined technique and artistic versatility, Pau Codina has established an impressive international career that has taken him to many of Europe’s most prestigious concert halls and festivals. Equally at home performing concertos, chamber music and contemporary repertoire, he is admired for his ability to combine technical brilliance with profound musical sensitivity.

Pau Codina’s Early Musical Life and Education

Born in Barcelona in 1988, Pau Codina began playing the cello at the age of five under the guidance of Eulàlia Subirà in Manlleu. His exceptional talent quickly became evident, and his early studies laid the foundation for a career distinguished by artistic curiosity and musical excellence. Seeking the highest level of musical training, Pau Codina continued his education at several of Europe’s most prestigious institutions. He studied at the renowned Yehudi Menuhin School in the United Kingdom before attending the Guildhall School of Music and Drama in London. He later continued his studies at the Chapelle Musicale Reine Elisabeth in Belgium, where he worked closely with the celebrated cellist Gary Hoffman. Throughout his studies he also benefited greatly from the guidance of Louise Hopkins, one of Britain’s most respected cello pedagogues. These formative experiences exposed Codina to a rich international musical environment and helped shape the artistic voice that characterises his performances today. His playing combines the warmth and lyricism often associated with the great cello tradition with an intellectual rigour and stylistic flexibility that allows him to excel across a broad repertoire.

Pau Codina as Soloist

As a soloist, Pau Codina has appeared with numerous distinguished orchestras throughout Europe. His concerto performances have included collaborations with the Franz Liszt Chamber Orchestra of Budapest, the Chamber Orchestra of Wallonie, the RTVE Orchestra in Madrid, the Barcelona Symphony Orchestra and the Andorra Chamber Orchestra. His concerto repertoire spans from the classical period to the twentieth century and beyond, and his performances are admired for their expressive depth and natural communicative power. Audiences and critics alike have praised his ability to bring both technical command and emotional sincerity to the concert platform. Among his notable recent performances is Robert Schumann’s Cello Concerto in A minor, Op. 129, performed with the Camera Musicae Orchestra under the direction of Salvador Mas. This performance further demonstrated his affinity for the romantic repertoire and his ability to balance lyricism with structural clarity.

Pau Codina and Chamber Music

Chamber music occupies a central place in Pau Codina’s artistic life. Throughout his career he has collaborated with many outstanding musicians and ensembles, bringing a distinctive combination of sensitivity, imagination and collaborative spirit to every project. His performances have taken him to many of Europe’s most prestigious venues, including Wigmore Hall, Royal Festival Hall and Barbican Hall in London, the Concertgebouw Amsterdam, Flagey and Bozar in Brussels, the Pau Casals Auditorium, L’Auditori Barcelona and the Palau de la Música Catalana. In these venues he has appeared in a wide range of chamber music repertoire, from the classical masterpieces of Haydn, Mozart and Beethoven to contemporary works by living composers. His chamber music playing is particularly admired for its expressive warmth, refined ensemble awareness and ability to communicate directly with audiences. These qualities have made him a highly sought-after collaborator among musicians throughout Europe.

Pau Codina and Trio Fortuny

A particularly important aspect of Pau Codina’s career is his work with Trio Fortuny, one of Spain’s most celebrated chamber ensembles. Formed through the close friendship between Pau Codina, violinist Joel Bardolet and pianist Marc Heredia, the ensemble has become renowned for its imaginative programming, artistic depth and dynamic performances. Trio Fortuny has appeared at major venues and festivals throughout Europe, including the Wissembourg International Music Festival, Portaferrada Festival, Temporada Ibercamera Girona, Centro Nacional de Difusión Musical, Bachcelona, L’Auditori Barcelona and the Palau de la Música Catalana. The ensemble’s performances are characterised by an exceptional level of communication and artistic unity. The trio has recorded acclaimed video albums featuring works by Schubert, Brahms, Beethoven, Shostakovich and Mendelssohn. Their artistic development has been shaped by distinguished mentors including Ferenc Rados, Rainer Schmidt, Claudio Martínez Mehner, Gary Hoffman, Anton Kernjak and Jonathan Brown. A significant milestone in the ensemble’s career came with the award of an artistic residency at the Palau de la Música Catalana beginning in the 2023–2024 season, further confirming Trio Fortuny’s position among Europe’s leading chamber music ensembles.

Pau Codina and the Esbjerg Ensemble

Alongside his solo and chamber music activities, Pau Codina is a member of the internationally acclaimed Esbjerg Ensemble, Denmark’s oldest professional international chamber music ensemble. The ensemble is renowned for its innovative programming, commitment to contemporary music and collaborations with leading composers and performers. As a member of the Esbjerg Ensemble, Codina regularly performs a diverse repertoire that spans several centuries of musical history, contributing to one of Scandinavia’s most important cultural institutions. His work with the ensemble reflects his commitment to artistic exploration and collaborative music-making at the highest level. He is also a member of the Oculi Ensemble, further demonstrating the breadth of his chamber music activities and his dedication to innovative artistic projects.

Pau Codina’s Recordings, Awards and Legacy

Pau Codina’s discography reflects both his versatility and artistic ambition. Among his most notable recordings is Saint-Saëns’ Suite Op. 16 for cello and orchestra with the Royal Philharmonic Orchestra of Liège under the direction of Christian Arming, released on the Fuga Libera label. His achievements have been recognised through numerous awards and distinctions. He is the recipient of the MBF’s Guilhermina Suggia Award and the Kronberg Cello Festival Schlosskonzert Prize. He has also received Third Prize and the Critics’ Award at the Primer Palau Competition in Barcelona and won First Prize at the Concurso Permanente of Juventudes Musicales de España. Today, Pau Codina enjoys a flourishing international career that balances solo appearances, chamber music performances, recordings and educational activities. Whether appearing as a concerto soloist, performing with Trio Fortuny, collaborating with the Esbjerg Ensemble or recording major works of the cello repertoire, Pau Codina continues to inspire audiences through performances distinguished by intelligence, integrity and profound musical expression. His dedication to artistic excellence and his passion for communication through music have established him as one of the most compelling cellists of his generation.

David Daniel Dinu, oboe

David Daniel Dinu, oboe

David Daniel Dinu, born in Bucharest in 1999, is a highly skilled oboe player currently based in Copenhagen. His musical journey began at a young age, and he has since developed into a prominent figure in the classical music world. Dinu completed his Bachelor’s degree at the National University of Music in Bucharest, where he received rigorous training and honed his craft. His dedication and talent were evident early on, paving the way for advanced studies. Seeking to further his expertise, Dinu enrolled in a postgraduate degree at the Royal Danish Academy of Music in Copenhagen. Here, he is under the tutelage of Professor Max Artved, a distinguished oboist known for his exceptional teaching and performance career. Throughout his studies and professional career, Dinu has gained extensive performance experience with several prestigious orchestras. He has played with Tivoli’s Promenade Orchestra, the Danish Chamber Orchestra, the Copenhagen Philharmonic Orchestra, and the Danish Radio Symphony Orchestra. These opportunities have allowed him to showcase his technical prowess and musical sensitivity, earning him recognition and respect within the classical music community. In addition to these accomplishments, David Daniel Dinu has secured the esteemed position of oboist with the Esbjerg Ensemble. The Esbjerg Ensemble is Denmark’s most distinguished professional international chamber music group, renowned for its dynamic performances and dedication to both contemporary and classical repertoire. The ensemble’s contributions to the Danish music scene are significant, and Dinu’s role within the group highlights his exceptional talent and versatility as a musician. Dinu’s involvement with the Esbjerg Ensemble allows him to engage in a wide range of musical activities, from performing intricate chamber works to participating in innovative musical projects. The ensemble’s commitment to artistic excellence and its vibrant presence in the Danish music scene provide Dinu with a platform to further develop his artistry and collaborate with other top-tier musicians. In his relatively short but already impressive career, David Daniel Dinu has demonstrated a deep commitment to his craft. His performances are characterized by their expressive depth, technical accuracy, and a profound understanding of the oboe’s unique voice. As he continues to grow as an artist, Dinu’s contributions to both the Danish and international music scenes are poised to expand, further establishing him as a leading oboist of his generation.

Joke Wijma, horn

Joke Wijma is a distinguished Dutch horn player renowned for her versatility and expressive artistry. Since 2005, she has been a core member of the Esbjerg Ensemble, Denmark’s premier chamber group celebrated for its dynamic interpretations of both classical and contemporary repertoire.

Wijma’s musical journey commenced at the Conservatory in Groningen, where she studied under Frank Brouns and Hans Dullarert. She further honed her craft at the Hochschule für Musik und Theater Hamburg, studying with the esteemed Dutch hornist Ab Koster. After graduating in 2004, she continued her studies with Koster while undertaking an internship with the Duisburger Philharmoniker, gaining valuable orchestral experience.

Throughout her career, Wijma has performed extensively across Europe, North America, and Asia, showcasing her talent in a variety of musical settings. Her repertoire spans from traditional classical works to avant-garde contemporary pieces, reflecting her commitment to musical exploration and innovation.

A particularly memorable experience in her career was performing Peter Maxwell Davies’ “Sea Eagle” for solo horn outdoors, coinciding with a live bird of prey show. This unique performance exemplifies her adventurous spirit and dedication to creating immersive musical experiences.

In addition to her performance career, Wijma is actively involved in music education and outreach, conducting masterclasses and workshops to inspire the next generation of musicians. Her contributions to the Esbjerg Ensemble and the broader musical community continue to enrich the cultural landscape.

Ron Chen-Zion, clarinet

Ron Chen-Zion has been a member of Esbjerg Ensemble since 1993. The Esbjerg Ensemble, Denmark’s oldest professional international chamber music ensemble, is renowned for its dynamic performances and commitment to contemporary and classical repertoire, contributing significantly to the international and Danish music scene. “When I was 11, I happened to get the mail one day and found among them an advertisement that read: “Learn to play an instrument inonly three months”. When I subsequently turned up at the music school, they only had one instrument for loan: the clarinet. We were two students who had to share the instrument and because we had clarinet lessons onThursdays, the other student and I each had the clarinet three days a week”.Ron Chen-Zion began his studies with Richard Lesser of the Israeli Philharmonic Orchestra. In 1986 he moved to the US where he continued his studies and graduated from the New England Conservatory. In 1990, Ron Chen–Zion was appointed solo clarinetist atThe State of Mexico Symphony Orchestra. As achamber musician, he has quite frequently been invited to Rudolf Serkins Marlboro Music Festival in the United States and has performed in most of Europe, Israel and the Americas. Ron Chen-Zion has recorded several CDs, including one highly praised rendering of Max Regers’ pieces for clarinet and piano.

Kerstin Thiele, flute

Kerstin Thiele is a distinguished flutist renowned for her dynamic performances and commitment to both classical and contemporary repertoire. Since 1986, she has been a vital member of the Esbjerg Ensemble, Denmark’s oldest professional international chamber music group, contributing significantly to its artistic direction as a board-appointed member.

Thiele’s musical journey began serendipitously when she joined her local brass band to fill a need for a flutist, sparking a lifelong passion for the instrument. She pursued formal studies under solo flutist Toke Lund Christiansen at the Royal Danish Academy of Music and further refined her artistry with Professor André Jaunet in Zurich.

Beyond her ensemble work, Thiele is an esteemed educator at the Danish National Academy of Music, where she mentors the next generation of flutists. Her international career encompasses performances across Europe and collaborations with leading composers and musicians.

Thiele’s discography includes notable recordings such as “Roger Reynolds: Wind Concertos”, where she features prominently alongside the Esbjerg Ensemble, showcasing her versatility and dedication to contemporary music. This recording is available on platforms like Apple Music and ProStudioMasters.

Pablo Hernán Benedí

Pablo Hernán Benedí, violin

Pablo Hernán Benedí

Pablo Hernán Benedí is one of the most distinguished Spanish violinists of his generation, celebrated internationally for his work as a chamber musician, soloist and orchestral leader. Renowned for his expressive artistry, stylistic versatility and deep commitment to chamber music, Pablo Hernán Benedí has established a remarkable international career that spans the world’s leading concert halls, festivals and recording studios. Through his work with the internationally acclaimed Chiaroscuro Quartet, the award-winning Trio Isimsiz and numerous orchestral and solo projects, he has become one of the most respected violinists on the European musical scene.

Pablo Hernán Benedí’s Early Musical Life and Education

Born in Madrid, Pablo Hernán Benedí began his musical journey at an early age. He studied at the Padre Antonio Soler Conservatory in San Lorenzo de El Escorial under the guidance of Polina Kotliarskaya, where his exceptional talent quickly became evident. His early years laid the foundation for a musical career distinguished by curiosity, discipline and artistic ambition. In 2009, Pablo Hernán Benedí moved to London to continue his studies at the prestigious Guildhall School of Music and Drama. There he studied with the renowned violinists David Takeno and András Keller, both of whom played an important role in shaping his artistic development. His studies were supported by scholarships from the Martin Musical Scholarship Fund (MMSF), Juventudes Musicales and La Caixa, reflecting the confidence that major institutions placed in his exceptional promise. An especially important influence throughout his musical life has been the violinist Gordan Nikolić, with whom he has maintained a close artistic relationship since the age of fourteen. This long-term mentorship helped shape Benedí’s distinctive musical voice and his deep interest in chamber music and historically informed performance.

Pablo Hernán Benedí and the Chiaroscuro Quartet

A defining chapter of Pablo Hernán Benedí’s career began in 2010 when he joined the internationally renowned Chiaroscuro Quartet. Widely regarded as one of the leading period-instrument string quartets in the world, the ensemble has earned a reputation for its fresh, vibrant and historically informed interpretations of the classical and romantic repertoire. With the Chiaroscuro Quartet, Pablo Hernán Benedí has performed in many of the world’s most prestigious venues, including Wigmore Hall in London, Carnegie Hall in New York, the Vienna Konzerthaus, Berlin’s Boulez Saal, Amsterdam’s Concertgebouw, Tokyo’s Oji Hall and Madrid’s Auditorio Nacional. The ensemble’s performances have been praised for their vitality, transparency and interpretative insight, attracting audiences and critics alike. The quartet’s extensive discography has received widespread international acclaim. Among its many honours is the prestigious Preis der Deutschen Schallplattenkritik, awarded in 2015 and widely regarded as Germany’s most important recording prize. Through its recordings and performances, the Chiaroscuro Quartet has helped redefine the possibilities of historically informed chamber music performance in the twenty-first century.

Pablo Hernán Benedí and Trio Isimsiz

Alongside his quartet activities, Pablo Hernán Benedí is a founding member of Trio Isimsiz, established in 2011. Since its formation, the trio has become one of Europe’s most highly regarded piano trios, earning international recognition for the depth, energy and sophistication of its performances. The ensemble’s achievements include the Borletti-Buitoni Trust Fellowship Award, First Prize and Audience Prize at the Trondheim International Chamber Music Competition, and Second Prize at the Haydn Chamber Music Competition in Vienna. These distinctions established Trio Isimsiz as one of the leading young chamber ensembles of its generation. The trio has performed extensively throughout Europe and has appeared at major venues and festivals including Wigmore Hall, Beethoven-Haus Bonn and many of Europe’s leading chamber music series. In addition to performing the core piano trio repertoire, the ensemble is committed to expanding the literature through collaborations with contemporary composers, including commissions from leading figures such as Francisco Coll.

Pablo Hernán Benedí as Soloist and Orchestral Leader

In addition to his chamber music activities, Pablo Hernán Benedí has developed a distinguished career as a soloist and orchestral leader. He has appeared as soloist with orchestras including the Philharmonia Orchestra, London Chamber Players and Concerto Budapest, performing repertoire that spans from the Baroque era to contemporary works. His solo performances are admired for their technical brilliance, expressive depth and natural communicative power. Whether performing concertos, recital programmes or chamber music, Benedí combines intellectual insight with emotional immediacy, creating performances that engage both audiences and fellow musicians. As an orchestral leader and guest concertmaster, he collaborates regularly with some of Europe’s finest ensembles. These include Arcangelo, Concerto Budapest, the Chamber Orchestra of Europe and the Swedish Radio Symphony Orchestra. His leadership is highly valued for its musical authority, collaborative spirit and stylistic versatility.

Pablo Hernán Benedí’s Instruments

An important aspect of Pablo Hernán Benedí’s artistic identity is his relationship with the exceptional instruments he performs on. He plays the celebrated “Alard” J.B. Vuillaume violin from 1851, an instrument admired for its remarkable richness of tone and projection. With the Chiaroscuro Quartet he performs on a rare Andrea Amati violin dating from 1570, connecting his artistry directly to one of the earliest and most influential traditions of violin making. These historic instruments contribute significantly to the distinctive sound world that characterises his performances.

Pablo Hernán Benedí Today

Today, Pablo Hernán Benedí enjoys an international career that balances solo appearances, chamber music performances, recording projects and orchestral collaborations. His work with the Chiaroscuro Quartet and Trio Isimsiz has placed him among the most respected chamber musicians of his generation, while his activities as a soloist and leader continue to expand his artistic horizons. Whether performing on the stages of Carnegie Hall, Wigmore Hall or the Concertgebouw, Pablo Hernán Benedí brings a rare combination of virtuosity, imagination and musical integrity to every performance. His career reflects a deep commitment to artistic excellence and a lifelong passion for exploring the richness and diversity of the violin repertoire. Through his performances, recordings and collaborations, he continues to inspire audiences around the world and to make a significant contribution to international musical life.

JUHANI LAGERSPETZ, PIANO

Juhani Lagerspetz

Juhani Lagerspetz is one of Finland’s most distinguished pianists, renowned for his versatility as a soloist, chamber musician, accompanist and teacher. Over a career spanning more than four decades, he has established himself as a leading interpreter of a wide range of repertoire, from the Viennese classics to contemporary music. Equally at home in the recital hall, on the concerto stage and in intimate chamber music settings, Juhani Lagerspetz has become a central figure in Finnish musical life and a respected presence on the international concert scene.

Juhani Lagerspetz’s Early Musical Life

Born in Finland, Juhani Lagerspetz displayed exceptional musical talent from an early age. He began his piano studies in his hometown of Turku and quickly attracted national attention as a young prodigy. At the age of just thirteen, he made his orchestral debut as soloist with the Finnish Radio Symphony Orchestra, performing Shostakovich’s Piano Concerto No. 2. The appearance revealed not only his remarkable technical gifts but also an unusual musical maturity.

Following his early success, Lagerspetz continued his studies at the Sibelius Academy in Helsinki before pursuing advanced studies at the Leningrad Conservatoire. The combination of Nordic musical values and the rich Russian piano tradition would become a defining characteristic of his artistic identity.

Juhani Lagerspetz and International Competitions

Juhani Lagerspetz first gained widespread recognition through a series of important competition successes. In 1975 he won First Prize at the Ilmari Hannikainen Piano Competition, followed by First Prize at the prestigious Maj Lind Piano Competition in 1976. These achievements established him as one of Finland’s most promising young pianists.

His international breakthrough came in 1982 when he received a Special Prize at the International Tchaikovsky Competition in Moscow, one of the world’s most prestigious music competitions. This success brought him increasing international attention and led to a growing number of concert engagements throughout Europe and beyond.

Juhani Lagerspetz as Soloist

Throughout his distinguished career, Juhani Lagerspetz has appeared as soloist with many leading orchestras and conductors. He has collaborated with renowned musical figures including Arvid Jansons, Rudolf Barshai, Paavo Berglund and Esa-Pekka Salonen, performing repertoire ranging from Mozart and Beethoven to Rachmaninov, Prokofiev and contemporary composers.

His performances are admired for their combination of technical command, stylistic understanding and intellectual depth. In addition to performing dozens of piano concertos, he has presented ambitious recital series exploring major cycles of piano literature and significant themes in music history.

Juhani Lagerspetz and Chamber Music

Chamber music has always occupied a central place in Juhani Lagerspetz’s artistic life. He has collaborated with many of the world’s leading instrumentalists, including violinist Ida Haendel and cellists Arto Noras and Truls Mørk. These partnerships have taken him to major festivals, concert halls and chamber music series throughout Europe and Scandinavia.

His chamber music performances are particularly valued for their sensitivity, flexibility and ability to balance individual artistry with true ensemble collaboration. Finland’s internationally renowned Kuhmo Chamber Music Festival is among the institutions that have contributed significantly to the country’s rich chamber music culture and international reputation.

Juhani Lagerspetz as Accompanist and Collaborative Pianist

An accomplished collaborative pianist, Juhani Lagerspetz has worked extensively with distinguished singers. His recital partners have included Elisabeth Söderström, Stephen Genz and Camilla Nylund, among many others. His ability to combine pianistic brilliance with attentive partnership has made him a highly sought-after accompanist in both song and chamber music repertoire.

His work with singers reflects a deep understanding of language, poetry and vocal repertoire, qualities that have contributed significantly to his reputation as one of Finland’s most respected collaborative musicians.

Juhani Lagerspetz’s Recordings and Legacy

Alongside his extensive concert career, Juhani Lagerspetz has made numerous recordings for Finnish radio and international record companies. His discography reflects the breadth of his musical interests and includes solo repertoire, chamber music and concerto recordings.

His recordings have appeared on labels including Ondine Records, one of the leading Nordic classical labels. Through both recordings and live performances he has helped bring Finnish music and musicians to international audiences while continuing to champion the wider piano repertoire.

Juhani Lagerspetz as Teacher and Mentor

In addition to performing, Juhani Lagerspetz has devoted considerable energy to teaching and mentoring younger musicians. Generations of Finnish pianists have benefited from his experience, insight and dedication to musical excellence. His teaching reflects the same combination of intellectual rigour, musical curiosity and artistic integrity that characterises his performances.

More information about his educational work can be found through the University of the Arts Helsinki, where he has contributed significantly to the development of young musicians and Finland’s rich musical culture.

Widely respected for his integrity, musicianship and artistic curiosity, Juhani Lagerspetz continues to inspire audiences and younger generations of musicians alike. As performer, chamber musician, accompanist and teacher, he has made a lasting contribution to Nordic and international musical life and remains one of Finland’s most admired musical ambassadors.

Juliette Roos, Violin

Juliette Roos

Juliette Roos is a British violinist internationally recognised for her work as a chamber musician, soloist and orchestral leader. Acclaimed for her expressive playing, technical brilliance and musical versatility, she has established herself as one of the most compelling violinists of her generation. Equally at home as a soloist, chamber musician and ensemble player, Juliette Roos performs regularly throughout Europe and has appeared in many of the continent’s leading concert halls, festivals and chamber music series.

Juliette Roos’s Early Musical Life and Education

Born in London into the fourth generation of a distinguished musical family, Juliette Roos began playing the violin at the age of five. Her musical gifts were recognised early, and after studying at the Junior Department of the Royal Academy of Music she was admitted to the prestigious Yehudi Menuhin School, where she studied with Professor Lutsia Ibragimova. In 2012 she gained national attention as a string finalist in the BBC Young Musician competition and was awarded the Walter Todd’s Bursary Prize, becoming one of the most highly regarded young violinists of her generation in the United Kingdom. Following her studies at the Yehudi Menuhin School, Juliette continued her musical education at the Haute École de Musique de Lausanne, site de Sion, Switzerland, under the guidance of the celebrated violinist Pavel Vernikov. She later completed postgraduate studies and a fellowship at the Guildhall School of Music and Drama in London, where she studied with the renowned violin pedagogue David Takeno.

Juliette Roos as Soloist

As a soloist, Juliette Roos has performed concertos with orchestras including the City of Southampton Orchestra, the Lithuanian Chamber Orchestra and the Odessa Opera House Orchestra. Her concerto repertoire ranges from the great classical and romantic works to twentieth-century masterpieces, and her performances are admired for their combination of technical assurance, stylistic sensitivity and emotional depth. Following her success in BBC Young Musician, she appeared in performances of Bruch’s Violin Concerto, Beethoven’s Triple Concerto and Vaughan Williams’ The Lark Ascending, further establishing her reputation as one of Britain’s most promising young violinists.

Juliette Roos and Chamber Music

Chamber music occupies a central place in Juliette Roos’s artistic life. She has performed in major venues including the Barbican Concert Hall, Wigmore Hall, Canterbury Cathedral and the Odessa Opera House, and has participated in internationally renowned festivals and academies including Open Chamber Music at Prussia Cove, Yellow Barn in the United States, Four Seasons Chamber Music Festival in North Carolina, Mendelssohn on Mull, and the Seiji Ozawa International String Quartet Academy. Her chamber music collaborations have brought her together with many distinguished musicians of her generation, and she is admired for her refined ensemble playing, musical imagination and ability to balance individual artistry with genuine collaborative spirit. During her studies at Guildhall, her quartet won first prize in the St James Chamber Music Competition, further highlighting her exceptional abilities as a chamber musician.

Juliette Roos and the Heath Quartet

In recent years Juliette Roos has become increasingly recognised for her work with the internationally acclaimed Heath Quartet. Appointed as joint leader of the ensemble, she performs extensively with the quartet in major concert halls and festivals across Europe and North America. With the Heath Quartet she has appeared at festivals including the Aldeburgh Festival and Mecklenburg-Vorpommern Festspiele, and has performed in venues such as Wigmore Hall and Berlin’s Boulez Saal. The quartet is widely admired for its interpretations of both classical and contemporary repertoire, and its performances have been praised for their depth, energy and intellectual insight. Alongside her quartet activities, Juliette is also active as an orchestral musician and recording artist. She performs regularly with John Wilson’s acclaimed Sinfonia of London and has participated in several critically praised recordings, including releases featuring music by Ravel and Rachmaninov.

Juliette Roos’s Awards and Recognition

Juliette Roos has received numerous awards and distinctions throughout her career. She was a prizewinner at the Kloster Schöntal International Violin Competition, where she also received a special prize for the best interpretation of a virtuoso work. She has additionally received awards from the Royal Overseas League Competition and bursaries from the Countess of Munster Trust, the ESU Musicians Award and Help Musicians UK through the Manoug Parikian Award. These honours reflect both her exceptional artistic achievements and the high regard in which she is held by musicians, audiences and institutions alike.

Juliette Roos Today

Today, Juliette Roos enjoys a varied international career combining solo performances, chamber music, recording projects and festival appearances. Her playing is distinguished by its warmth, intelligence and communicative power, qualities that have made her one of the most exciting British violinists of her generation. Whether appearing as a soloist, performing with the Heath Quartet, collaborating with fellow chamber musicians or participating in major festival projects, Juliette Roos continues to captivate audiences through performances that combine technical mastery with profound musical insight and artistic integrity.

Performers

Marc Heredia

Marc Heredia, Piano

Marc Heredia’s Early Musical Life and Education

Marc Heredia as Soloist

Marc Heredia and Chamber Music

Marc Heredia and Trio Fortuny

Marc Heredia’s Broadcasts and Recordings

Sini Simonen, violin

Sini Simonen

Sini Simonen and the Castalian String Quartet

Sini Simonen as Chamber Musician and Festival Artist

Sini Simonen and Contemporary Music

Sini Simonen as Soloist and Orchestral Leader

Sini Simonen’s Recordings and Discography

Sini Simonen’s Education and Competition Success

Sini Simonen at the Royal Academy of Music

Anna Emmeluth, composer and singer

Anna Emmeluth

Anna Emmeluth’s Musical Language

Anna Emmeluth as Singer and Improviser

Anna Emmeluth and Nature

Anna Emmeluth in Performance

Anna Emmeluth Today

Aros Guitar Duo

AROS Guitar Duo

AROS Guitar Duo’s Origins

Mikkel Egelund Nielsen and Simon Wildau’s Education

AROS Guitar Duo and International Competitions

AROS Guitar Duo in Concert

AROS Guitar Duo and Contemporary Music

AROS Guitar Duo Today

Christian Martinez

Christian Martinez, percussion

Christian Martínez

Christian Martínez’s Early Musical Life and Education

Christian Martínez and the Esbjerg Ensemble

Christian Martínez as Soloist and Chamber Musician

Christian Martínez and Contemporary Music

Christian Martínez and Per Nørgård

Christian Martínez and International Collaborations

Christian Martínez Today

Valdemar Wenzel Most, piano

Valdemar Wenzel Most – Rising Danish Piano Star

Jonas Egholm, guitar

Antti Salovaara, bassoon

Antti Salovaara, bassoon

Antti Salovaara

Antti Salovaara’s Early Musical Life and Education

Antti Salovaara and the Esbjerg Ensemble

Antti Salovaara as Chamber Musician

Antti Salovaara and Contemporary Music

Antti Salovaara and Tölöläb

Antti Salovaara as Soloist

Antti Salovaara and Fanø Festival

Antti Salovaara as Musician and Individual

Antti Salovaara Today

Michel Camille, viola

Michel Camille, viola

Joel Bardolet, violin

Joel Bardolet, violin

Joel Bardolet’s Early Musical Life and Education

Joel Bardolet as Soloist

Joel Bardolet and Chamber Music

Joel Bardolet and Trio Fortuny

Joel Bardolet and Contemporary Music

Joel Bardolet as Teacher and Mentor

Joel Bardolet Today

Pau Codina, cello

Pau Codina, cello

Pau Codina

Pau Codina’s Early Musical Life and Education

Pau Codina as Soloist

Pau Codina and Chamber Music

Pau Codina and Trio Fortuny

Pau Codina and the Esbjerg Ensemble

Pau Codina’s Recordings, Awards and Legacy

David Daniel Dinu, oboe

David Daniel Dinu, oboe

Joke Wijma, horn