Kristina Edin, double-bass

Kristina Edin grew up in a family of musicians on a small island outside of Gothenburg in Sweden. She received her Bachelor at the Guildhall School of Music and Drama in London with Rinat Ibragimov, continued by studies with Matthew McDonald at the Hanns Eisler Hochschule für Musik in Berlin. After having finished her academies in Konzerthausorchester Berlin and NDR Hannover, Kristina first worked one year as the principal double bassist in the Bielefelder Philharmoniker, followed by one year as the principal double bassist in the Dortmunder Philharmoniker.

Kristina is a sought after bass player and chamber musician in Germany, and has also been working as a principal double bassist in orchestras such as the Philharmonisches Orchester Kiel and the Neue Philharmonie Westfalen. She plays regularly with new concept chamber music groups and festivals such as the Podium Festival and Orchester im Treppenhaus, and is a member of the Kaan Bulak Ensemble. When in Sweden, she enjoys sailing and arranging folk music as well as classical music for the family orchestra Edin Consort.

Marc Heredia, piano

Recognized by the critics as one of the most exciting talents of his generation, Marc Heredia began playing piano at the age of three and studied with professors Dimitri Bashkirov, Claudio Martínez Mehner, and Denis Lossev in the “Escuela Superior de Musica Reina Sofia” and “Hochschule für Musik Basel”.

Marc Heredia has performed extensively throughout Europe, giving recitals both as a soloist and chamber musician, in concert halls such as the “Auditorio Nacional” and the “Fundación Juan March” of Madrid, the “Palau de la Música Catalana” (Barcelona), L’Auditori (Barcelona), Mozart hall Auditorium of Zaragoza, Madrid Congress Palace, etc. He has also appeared in festivals such as the series Soloists of the 21st century in the Sony Auditorium Madrid, and the Ibercamera Girona Concert Season, Wissembourg Festival, Chopin Festival Valldemosa.

Currently, Marc Heredia is a member of Trio Fortuny. Trio Fortuny, formed from the deep friendship between Codina, violinist Joel Bardolet, and pianist Marc Heredia, is particularly notable for its dynamic performances and unique musical projects across Europe. The trio has performed on major European stages and has recorded two albums in digital video format featuring works by Schubert, Brahms, Beethoven, Shostakovich, and Mendelssohn. Their collaborative efforts are influenced by esteemed musicians and mentors such as Ferenc Rados, Rainer Schmidt, Claudio Martínez, Gary Hoffman, Anton Kernjak, and Jonathan Brown.

Trio Fortuny’s performances have been featured at prestigious festivals, including the Wissembourg International Music Festival, Portaferrada, Temporada Ibercamera Girona, the Centro Nacional de Difusión Musical, L ‘Auditori de Barcelona, Bachcelona, and the Palau de la Música Catalana. Notably, they have secured an artistic residency at the Palau de la Música Catalana for three seasons starting from 2023-2024, further cementing their reputation in the classical music world.

As a soloist with orchestra, Marc Heredia has performed with orchestras like OBC – Barcelona Symphony Orchestra, Camera Musicae Orchestra, S.XXI Orchestra, and JONC – Catalonian Young Orchestra.

His concerts have been recorded and broadcast many times on the Spanish National Radio and Catalonia Music Radio, and he has also appeared several times in Spanish television.

Maja Horvat, violin

Maja Horvat communicates the spiritual power of music through her performances, offering joy and comfort which enable her audience members to develop their own unique and meaningful connection with the Arts. She explores the full range of magic and versatility of which the violin is capable through her work as a soloist, chamber musician and in collaboration with ensembles, orchestras and composers all over the world.

While constantly exploring masterpieces of all eras, Maja Horvat’s true passion is giving contemporary works a good start in life and finding fresh resonance in lesser-known gems of 20th-century repertoire.

​Maja Horvat gave her debut performance at Wigmore Hall in 2021 as first violinist of the Brompton Quartet, of which she is a founding member and with whom she gives frequent world premieres. They won the St. Martin-in-the-Fields Chamber Music Competition and have collaborated with record producer Andrew Keener and many currently active composer.

She has performed with some of the world’s most prominent chamber musicians including Sir Andras Schiff, Tabea Zimmerman, Christian Tetzlaff, Vladimir Mendelssohn and David Cohen.

​In 2019 Maja Horvat was awarded the Royal Philharmonic Society’s Emily Anderson Prize for an outstanding violinist. She is a Tillett Debut Scheme Artist. She has performed as a soloist with orchestras including the Slovenian Philharmonic Orchestra and Chamber Orchestra, the National Polish Radio Symphony Orchestra, Chamber Orchestra Mladi Solisti and the Mendelssohn Chamber Orchestra. She has appeared at festivals including the Tartini Festival, Stift International Music Festival, ChamberJam Düsseldorf and Festival Ljubljana. Among other accolades,

Maja Horvat has won the Temsig Slovenian National Competition and the International Tartini Competition; she was awarded the Special Szymanowski Prize at the inaugural Karol Szymanowski International Music Competition. Maja is also an active orchestral member. She has performed as concertmaster of the Royal College of Music’s Philharmonic and Symphony Orchestra, Fidelio Symphony Orchestra and the Echo Ensemble. She has played with Symphonisches Orchester der Jeunesse Leibnitz, Ljubljana International Orchestra the Symphony Orchestra at the Conservatory of Music and Ballet in Ljubljana.

​It was around the age of three that Maja Horvat felt sure that she wanted to dedicate her life to playing the violin. She finally began learning aged seven. Her first teacher was Bojan Ristić at the Music School Jesenice in Slovenia, where she later studied with Blanka Piotrovska. While still in Jesenice, Maja performed as a soloist in venues across Slovenia as well as in Austria, Germany, Croatia, Italy and the Czech Republic.

In 2015 she graduated the Conservatory for Music and Ballet Ljubljana, where she learned with Volodja Balžalorsky. As a Victor and Lillian Hochhauser Scholar at the RCM in London, Maja Horvat studied with Daniel Rowland and Leonid Kerbel while participating in masterclasses with internationally-acclaimed performers such as Maxim Vengerov, Nicola Benedetti, Ivry Gitlis, Saewon Suh, Anton Martynov, Vasilij Meljnikov, Igor Ozim and Wonji Kim Ozim. In June 2022 she finished her Artist Diploma studies at the RCM under the tutelage of Alina Ibragimova.

Joel Bardolet, violin

Joel Bardolet, a distinguished violinist hailing from the picturesque town of Vigo, has carved out a significant niche in the world of classical music. Known for his innovative interpretations and exceptional technique, Joel Bardolet has become a prominent figure in Central European orchestras and chamber music ensembles. His performances are noted for their emotional depth and meticulous attention to detail, making him a sought-after concertmaster and soloist.

Joel Bardolet’s journey in music began at an early age, nurtured by a passion for the violin that would see him travel across Europe for his education and career. He holds a master’s degree from esteemed institutions in Catalonia, Germany, and Switzerland, where he studied under renowned mentors. This diverse educational background has given him a profound understanding of various musical traditions and styles, which he skillfully incorporates into his performances.

A hallmark of Joel Bardolet’s artistry is his ability to craft thoughtful and engaging musical programs. He collaborates closely with fellow musicians to explore rhythmic precision, phrasing, and the cohesion of sound. His interpretive style is characterised by its intentionality and porosity, allowing him to connect deeply with the music and his audience. Joel Bardolet’s performances are not just displays of technical prowess but are deeply immersive experiences that invite listeners into a shared musical journey.

Throughout his career, Joel Bardolet has performed with numerous prestigious orchestras and chamber ensembles. He has taken the stage as a soloist with the Vienna Chamber Orchestra, the Orchestre de Chambre de Lausanne, Scottish Chamber Orchestra, and the Basel Chamber Orchestra, among others. His interpretations of classical repertoire, particularly works by Bach, Beethoven, and Brahms, have been lauded for their clarity, emotion, and technical excellence.

In addition to his work with established repertoire, Joel Bardolet is an avid supporter of contemporary music. He regularly collaborates with modern composers and has premiered several new works, showcasing his versatility and commitment to expanding the violin’s repertoire. His performances of contemporary music are marked by the same rigor and passion that define his interpretations of classical pieces.

Beyond the concert stage, Joel Bardolet is deeply committed to musical education. He frequently conducts masterclasses and workshops, where he shares his extensive knowledge and passion for the violin with aspiring musicians. His teaching philosophy encourages students to engage deeply with their music, fostering a sense of personal expression and creativity. Joel Bardolet’s dedication to education ensures that his influence extends beyond his own performances, shaping the next generation of violinists.

One of the highlights of Joel Bardolet’s career is his involvement with the Klassisk Sommer Festival in Denmark. His performances at the festival are highly anticipated events, known for their emotional intensity and technical brilliance. Bardolet’s presence at the festival not only enriches the event but also brings his exceptional talent to a broader audience.

Joel Bardolet is also a founding member of the Fortuny Trio, alongside cellist Pau Codina and pianist Marc Heredia. The trio is celebrated for its dynamic and cohesive performances, blending individual artistry with a unified ensemble sound. Together, they have performed extensively across Europe, earning acclaim for their interpretations of both classical and contemporary works. The Fortuny Trio is dedicated to exploring a wide range of repertoire, from the great classical trios to new compositions, thus contributing to the evolution of chamber music.

In addition to his live performances, Joel Bardolet has an impressive discography that showcases his versatility as a violinist. His recordings include works by both classical and contemporary composers, reflecting his wide-ranging musical interests and his ability to bring fresh perspectives to familiar pieces.

Joel Bardolet’s contributions to the world of classical music are significant and far-reaching. His innovative approach to performance, combined with his dedication to education and his support for contemporary music, make him a unique and influential figure in the field. As he continues to perform and teach, Bardolet’s impact on the world of music is sure to grow, inspiring audiences and musicians alike with his extraordinary talent and passion for the violin.

Joel Bardolet’s commitment to both solo and ensemble performance, along with his advocacy for contemporary music and dedication to teaching, ensures that he remains at the forefront of the classical music scene. His work with the Fortuny Trio further exemplifies his collaborative spirit and his ability to bring out the best in his fellow musicians. As he continues to evolve as an artist, Joel Bardolet is poised to make even greater contributions to the rich tapestry of classical music, leaving an indelible mark on audiences and musicians around the world.

Tim Crawford, violin

Tim Crawford is an accomplished British violinist, known for his expertise as both a soloist and chamber musician. Currently studying at the Basel Musik Akademie under Rainer Schmidt, Tim Crawford has built a distinguished career performing across the UK and Europe. His deep connection to music began early, born to two violinist parents, and he started his formal education at the Royal Academy of Music at the age of four. During his time there, he won numerous awards and accolades, cementing his reputation as a prodigious talent.

Tim Crawford continued his studies at the Guildhall School of Music in London, where he completed his undergraduate degree under Alexander Janiczek. He was awarded a Concert Recital Diploma, the Ivan Sutton Chamber Prize, and the Lord Mayor’s Prize for the highest mark across the music department. His exceptional performance led to an invitation to return as a Chamber Fellow.

Tim Crawford’s chamber music career is marked by significant collaborations and achievements. He is a founding member of the Teyber Trio, alongside violist Timothy Ridout and cellist Tim Posner, a partnership that has flourished since they were 15. From 2017 to 2020, he played with the Barbican Quartet, during which they won first prize and the Classical Era Prize at the Joseph Joachim International Chamber Music Competition. Recently, he co-founded the Valo Quartet with Maria Włoszczowska, Lilli Maijala, and Amy Norrington, continuing his journey in chamber music with long-time playing partners.

His association with the Esbjerg Ensemble is another highlight of his career, where he regularly performs, adding to his extensive experience in ensemble playing. Tim Crawford has also been a frequent participant in the IMS Prussia Cove Masterclasses, studying with Andras Keller and Steven Isserlis. In 2019, he was invited on the IMS Open Chamber Music Tour across the UK, showcasing his talents in prestigious venues including the Wigmore Hall in London.

Tim Crawford’s versatility extends to his leadership roles; he leads Collegium, a string group founded by Lawrence Power, and regularly performs with Arcangelo, a leading ensemble directed by Jonathan Cohen. His performances with these groups are noted for their historical and modern instrument excellence.

Throughout his career, Tim Crawford has been invited to many of Europe’s finest chamber music festivals. His performances have paired him with renowned artists such as Steven Isserlis, Lawrence Power, Alexi Kenney, Philippe Graffin, Amy Norrington, Alasdair Beatson, Bengt Forsberg, Timothy Ridout, and Paolo Giacometti. He is a regular at festivals like Musikdorf Ernen, IMS Prussia Cove, Lewes Chamber Festival, and Wye Valley Chamber Festival. This year, he looks forward to debuting at the West Wycombe Chamber Festival and Festival Resonances.

Tim Crawford’s discography includes recordings made with the Celan Quartet, a group he was part of from 2011 to 2014. The quartet, formed with the support of MusicWorks Chamber Courses and violist James Boyd, released a recording of Berg’s Quartet Op.3, receiving critical acclaim. Although the Celan Quartet is no longer active, Tim Crawford continues to collaborate with its members, maintaining the musical bonds they formed.

His commitment to music education and outreach is evident in his regular participation in masterclasses and workshops. Tim Crawford is dedicated to nurturing the next generation of musicians, emphasizing the importance of both technical skill and expressive performance.

Tim Crawford plays on a 1770 Ferdinand Gagliano violin, an instrument that complements his rich, expressive sound. His ongoing studies, performances, and recordings continue to enrich the classical music world, making him one of the most sought-after violinists of his generation. Whether on stage, in a classroom, or in a recording studio, Tim Crawford brings a deep passion and dedication to his craft, ensuring his lasting impact on the world of classical music.

Pau Codina, cello

Pau Codina, born in 1988 in Barcelona, is an accomplished cellist known for his remarkable talent and extensive performance history across Europe. His journey with the cello began at the tender age of five under the tutelage of Eulàlia Subirà in Manlleu, Barcelona. His passion and dedication to the instrument led him to prestigious institutions such as the Yehudi Menuhin School, the Guildhall School of Music and Drama, and the Chapelle Musicale Reine Elisabeth, where he honed his skills under the guidance of renowned cellists Louise Hopkins and Gary Hoffman.

Codina’s career is marked by performances in some of the most prestigious concert halls in Europe. He has graced stages such as the Wigmore Hall, Royal Festival Hall, Barbican Hall, Concertgebouw Amsterdam, Flagey, Bozar, Pau Casals Auditorium, L’Auditori de Barcelona, and the Palau de la Música Catalana Concert Hall in Barcelona. His versatility as a musician is evident as he performs both as a soloist and a chamber musician, captivating audiences with his profound musicality and technical precision.

As a soloist, Pau Codina has collaborated with numerous esteemed orchestras. His notable appearances include performances with the Franz Liszt Chamber Orchestra of Budapest, the Chamber Orchestra of Wallonie, the RTVE Orchestra in Madrid, the Barcelona Symphony Orchestra, and the Andorra Chamber Orchestra.

Pau Codina´s discography includes a recording of Saint-Saëns’ Suite Op. 16 for cello and orchestra with the Royal Philharmonic Orchestra of Liege, conducted by Christian Arming, under the label Fuga Libera. More recently, he performed Robert Schumann’s Cello Concerto in A minor, Op. 129, with the Camera Musicae Orchestra, conducted by Salvador Mas.

In addition to his performance achievements, Pau Codina has garnered numerous accolades and awards throughout his career. He is the recipient of the MBF’s Guilhermina Suggia Award and the Kronberg Cello Festival Schlosskonzert Prize. His talent and artistry have also been recognized at the Primer Palau Competition in Barcelona, where he won both the third prize and the Critique’s Award. Furthermore, he secured the first prize in the Concurso Permanente competition of Jeunesses Musicales of Spain.

Currently, Pau Codina is a member of several prominent ensembles, including the Esbjerg Ensemble, Oculi Ensemble, and Trio Fortuny. The Esbjerg Ensemble, Denmark’s oldest professional international chamber music ensemble, is renowned for its dynamic performances and commitment to contemporary and classical repertoire, contributing significantly to the Danish music scene.

Trio Fortuny, formed from the deep friendship between Codina, violinist Joel Bardolet, and pianist Marc Heredia, is particularly notable for its dynamic performances and unique musical projects across Europe. The trio has performed on major European stages and has recorded two albums in digital video format featuring works by Schubert, Brahms, Beethoven, Shostakovich, and Mendelssohn. Their collaborative efforts are influenced by esteemed musicians and mentors such as Ferenc Rados, Rainer Schmidt, Claudio Martínez, Gary Hoffman, Anton Kernjak, and Jonathan Brown.

Trio Fortuny’s performances have been featured at prestigious festivals, including the Wissembourg International Music Festival, Portaferrada, Temporada Ibercamera Girona, the Centro Nacional de Difusión Musical, L ‘Auditori de Barcelona, Bachcelona, and the Palau de la Música Catalana. Notably, they have secured an artistic residency at the Palau de la Música Catalana for three seasons starting from 2023-2024, further cementing their reputation in the classical music world.

Pau Codina’s contributions to music, both as a performer and collaborator, continue to inspire and influence audiences and fellow musicians alike. His dedication to his craft and his ability to seamlessly blend technical skill with emotional depth make him a standout cellist of his generation. As he continues to perform and expand his repertoire, Pau Codina’s impact on the classical music landscape is poised to grow even more significant.

Isidora Timotijević, viola

Isidora Timotijević, born in 1997 in Belgrade, Serbia, is an accomplished violist. She began her musical journey with violin lessons at seven and transitioned to viola at fourteen under Tomislav Milosevic’s guidance. Isidora Timotijević completed her Bachelor’s degree at the Mozarteum University in Salzburg with Thomas Riebl and is currently studying with Roland Glassl at the Hochschule für Musik und Theater München.

She has played with prestigious ensembles such as Camerata Salzburg, Deutsche Kammerakademie Neuss, and Salzburg Chamber Soloists. Her performances have taken her to Brazil, China, Germany, Hong Kong, South Korea, Switzerland, and Austria. She has also participated in numerous international festivals, including Musique à Marsac in France, Eggenfelden Klassisch Music Festival in Germany, and Festival Next Generation in Switzerland.

Isidora Timotijević has received numerous awards at both national and international competitions, excelling as a soloist and chamber musician. She is also a member of Ensemble Esperanza, an un-conducted chamber orchestra comprising scholarship holders from the International Academy of Music in Liechtenstein, which won the OPUS Klassik award in 2018. Additionally, she has been a violist with the Beija-flor Quartet since 2017, a group formed with her fellow Mozarteum students.

Starting from the 2023/24 season, Isidora Timotijević will serve as the principal violist with the Munich Chamber Orchestra. She plays a viola crafted by Bernd Hiller in 2015. Her diverse performance experience and dedication to her craft mark her as a rising star in the world of classical music.

Hélène Clément, viola

Born in France in 1988, Hélène Clément has learned to combine her proud love for french wine with the cheese delicacies found in England when she moved to London in 2013. Her ferocious enthusiasm and thirst for the chamber music and viola repertoire leads her to constantly expand her musical horizons by performing with a wide range of different collaborations, playing in the most prestigious concert halls in Europe and around the World.

Following her passion as a chamber musician, she has performed at the Queen Elizabeth Hall and the Wigmore Hall in London, Carnegie Hall in New York, the Kimmel Center in Philadelphia, the Concertgebouw in Amsterdam, the Konzerthaus in Berlin, the Elbphilharmonie in Hamburg, the Cité de la Musique in Paris. Her chamber music partners have included Mitsuko Uchida, Elisabeth Leonskaja, Nicolas Altstaedt, Benjamin Grosvenor, Alexander Melnikov and Peter Wispelwey, as well as the Brentano String Quartet and the Nash Ensemble.

Since September 2013, she is the viola player of the Doric String Quartet, with which she fulfils her appetite for deep explorations of the repertoire, from Haydn String Quartets to newly commissioned pieces. Recent highlights include recitals at the Amsterdam Muziekgebouw, Vienna Musikverein, Frankfurt Alte Oper, Hamburg Laeiszhalle and De Singel, and regular performances at the Wigmore Hall. Further afield they have toured to Japan, Israel, Australia, America, Asia and New Zealand.
The Quartet has released a wide range of recordings, working exclusively with Chandos Records. Their most recent releases include works by Haydn, Britten, Mozart and Mendelssohn.

Hélène Clément is a frequent guest at the prestigious Marlboro Music Festival in America and Prussia Cove in England.

She teaches viola and chamber music at the Royal Academy of Music of London.
Mentoring and coaching young talents is taking a growing place in her life, and she is with her String Quartet the Artistic Director of the Mendelssohn on Mull Festival, a position that sees her play a key role in providing young professionals in the field of chamber music with a week of intensive mentoring, coaching and development.

Hélène Clément is currently playing on a 1843 Italian viola owned previously by Benjamin Britten and Frank Bridge. The viola is generously lent to her by Britten Pears Arts.

Eddie Pogossian, cello

Edvard Pogossian, widely known as Eddie Pogossian, is a highly accomplished cellist whose exceptional talent and dedication to music have garnered him international acclaim. Born into a family with a rich musical heritage, Pogossian began his cello studies at a young age and quickly demonstrated remarkable skill and musicality.

In 2022, Pogossian achieved significant recognition as the proud Overall Winner, Strings Winner, and Audience Prize Winner at the prestigious Tunbridge Wells International Music Competition. This notable achievement is a testament to his outstanding technical proficiency and profound interpretive abilities.

Eddie Pogossian’s talent was further recognized when he won the Juilliard Concerto Competition, leading to a series of remarkable performances. He played Tchaikovsky’s Rococo Variations with the Juilliard Orchestra under the baton of the legendary Itzhak Perlman. These performances took place at esteemed venues, including David Geffen Hall in New York and the Harris Theater in Chicago. The Chicago Tribune praised his performances, highlighting his “astonishing musical and technical maturity” and “winning lightness of touch to everything he played, combined with a velvety tone.”

Throughout his career, Eddie Pogossian has appeared as a soloist with several renowned orchestras, including the Boston Pops, Hollywood Bowl Orchestra, Royal Northern Sinfonia, and the New Mexico Philharmonic. His collaborations with these orchestras have solidified his reputation as a cellist of extraordinary caliber.

Eddie Pogossian’s commitment to chamber music is equally noteworthy. He attended the esteemed Yellow Barn and the Marlboro Festival from 2019 to 2022, where he honed his skills and collaborated with other distinguished musicians. He is a dedicated member of Trio Isimsiz, a piano trio that has performed extensively throughout Europe, with notable appearances at the renowned Wigmore Hall. His contributions to the trio are marked by his deep musical insight and expressive playing.

In addition to his performance career, Eddie Pogossian has recently taken on a new role as a professor at the Royal Northern College of Music. This professorship allows him to share his extensive knowledge and experience with the next generation of cellists, fostering their growth and development in the field of classical music.

Eddie Pogossian is also a frequent guest principal cellist with the Royal Northern Sinfonia, where his leadership and musicianship are highly valued. His involvement with the orchestra further demonstrates his versatility and ability to excel in various musical settings.

Edvard Pogossian’s achievements and contributions to the world of classical music are significant and far-reaching. His technical mastery, combined with his expressive musicality, has captivated audiences around the globe. As he continues to perform, teach, and collaborate with other musicians, Pogossian’s influence on the classical music landscape is sure to grow, inspiring both audiences and fellow musicians alike.

With a career that seamlessly blends solo performances, chamber music, and educational endeavours, Eddie Pogossian stands out as a versatile and dynamic cellist. His recent appointment as a professor at the Royal Northern College of Music marks a new chapter in his journey, where he will undoubtedly continue to make substantial contributions to the world of classical music.

Pablo Hernán Benedí, violin

Pablo Hernán Benedí was born in Madrid, where his journey with the violin began. His initial training took place at the Padre Antonio Soler Conservatory in San Lorenzo de El Escorial under the guidance of Polina Kotliarskaya. His early promise in music was evident, and in 2009, he moved to London to further his studies at the prestigious Guildhall School of Music and Drama. Here, he was mentored by distinguished violinists David Takeno and András Keller. Benedí’s education was supported by scholarships from the Martin Musical Scholarship Fund (MMSF), Juventudes Musicales, and La Caixa. An influential figure in his development has been Gordan Nikolic, with whom he has maintained regular contact since the age of 14.

In 2010, Pablo Benedí became a member of the renowned Chiaroscuro Quartet. With this ensemble, he has performed at some of the world’s most esteemed concert venues, including London’s Wigmore Hall, New York’s Carnegie Hall, Vienna Konzerthaus, Berlin’s Boulez Saal, Amsterdam’s Concertgebouw, Tokyo’s Oji Hall, and the Auditorio Nacional in Madrid. The quartet boasts an extensive discography and has received numerous accolades, notably the Preis der Deutschen Schallplattenkritik in 2015, Germany’s most prestigious CD award.

Pablo Benedí is also a founding member of the Trio Isimsiz, established in 2011. The trio has garnered significant recognition, winning the Borletti-Buitoni Trust Award Fellowship, first prize and the audience prize at the Trondheim International Chamber Music Competition, and second prize at the Haydn Vienna Competition. Their future engagements include performances at the Beethoven Haus as part of the Complete Beethoven’s Chamber Music series and the complete Beethoven Trios at the Wigmore Hall in London. They are also commissioning a new trio from composer Francisco Coll.

As a soloist, Pablo Benedí has performed with several prominent orchestras, including the Philharmonia Orchestra, London Chamber Players, and Concerto Budapest. He is also a regular collaborator as leader or section leader with ensembles such as Arcangelo, Concerto Budapest, Chamber Orchestra of Europe, and the Swedish Radio Orchestra.

Pablo Hernán Benedí performs on the “Alard” J.B. Vuillaume violin from 1851 and a 1570 Andrea Amati violin, which he plays with his quartet.

Pablo Hernán Benedí’s career is marked by his versatile performances both as a soloist and chamber musician. His contributions to the Chiaroscuro Quartet and Trio Isimsiz highlight his commitment to exploring the depth of chamber music while his solo performances demonstrate his virtuosity and expressive range. As he continues to engage with audiences worldwide, Benedí’s artistry remains a testament to his dedication and passion for music.